I don’t have much positive to say about the PhD experience, and so I will refrain from generating a list of things that feel like they went awry. Some legitimately did, such as a year of the professors striking in my second year. I suspect after this is over I will have more positive feelings, or I will simply box the whole thing up and ignore it. I find many of my friends with humanities PhDs feel this way. Perhaps, vs the science PhDs, the ‘answer’ is less clear as we suffer with less math in our work?
On the path to completion, I started picking up books about getting a PhD, what is the student responsibility, the supervisor, what to expect year by year. When I began the program, I was unsure how things would unfold. I was aware that I was shifting to foreign school system, that the language would or could be different, and that my academic background was not in the same field of study. And that I would be living in a city that I had previously not enjoyed living in. Retrospectively, I wonder, ‘What was I thinking?” However, the PhD is my fourth degree, and I always think this, so perhaps a different problem we do not need to discuss. But the books themselves were very interesting. What are the responsibilities of the players, what is the expectation of the work itself, how to expect things to play out. A map, which, as I understand it, part of the purpose of the PhD is to find the map yourself, and do the entire thing on one’s own, whilst making a unique contribution to knowledge.
Prior to the PhD I was running a research program at the National Institutes of Health. The focus of this is on how people relate to health, well-being, their knowledge on genomics and health topics, and their ability to engage both digitally and in person with a focus on positive outcomes. I know the difference between academic research (we worked with Vanderbilt a lot, and they spent a lot of time escalating), and research done to inform design and information decisions. It is an advantage to come to a PhD with broad and deep knowledge on how to run a research program, how to set up a study, and how to evaluate outcomes. Also a bonus, being able to write.
The truth of my situation is, I love knowledge, studying, deep diving, engaging with others on discussions of topics of curiousity, and, of course, books. Though, I will note, there are fewer books in libraries these days, so often they are digital, but at least university libraries, so far in my experience, have open stacks, so I can wander about and see the books I didn’t know I needed to read. I do think the way knowledge transfers into my brain via analogue tools is more sticky, but I cannot afford to be $180 Routledge books, just to see if I want what is inside them. A different topic on the inaccessibility of knowledge, but very notable in doing this work.
In the course of writing my PhD, I kept a project journal. This is a Scrivener document with a new page for each date. It is currently 170,000 words long. For comparison, my PhD can be a max of 100,000 words, and is more likely to be shorter, closer to 75,000, because I like to be concise, when I can.
My Magnet book was 30,000 words and it was an agony to write. I don’t know why, retrospectively, as it was a topic I had been steeped in for years, and when I sat to write, I had enough research to write a much longer book. I believe the first problem was lack of solitude. I had rented a friend’s place who was going to be away, but then he was not. I function best in a flow state that doesn’t break for sleep or anything else. I live inside my head, and things continue on a calm churn level. I don’t sleep a lot in this state, but it is highly productive. This is how I managed to read nearly 300 books in the first year of the Adelphi Project. I almost never broke flow state, and if I did, it was easy to return to it, in the solitude of my East Village Apartment, and no linear time that required me.
What is amazing to me with the thesis, much like the magnet book, it is all in my head, been researching for years, now just to the writing up stage, feeling late, and thus highly focused. I have another Scrivener document that has every book or article I read through out the course of this, and notes on when I read it, what was interesting, things to follow up, and any quotes I think might be of use. There are over 1000 entries, which I learned, is a little unusual. But then, I read.
Come to the now, and I am writing 17,000 words a week. Which means a complete draft in four weeks. The outcome is rougher than I usually like a draft, and the editing phase and the weaving phase will need more time, but the writing process, well, it fascinates me. Part is the, ‘get this thing away from me’ state that I think all PhD students must hit, if they want to finish. Part is that I am alone and in flow, and I have removed all ‘noise’ from my ilfe. It isn’t healthy, but it is efficient. I work, and I sleep. I walk, occasionally, and I eat, and I pull weeds from the largely abandoned flower beds in the yard outside. Murder as method?
A standard non-fiction book runs 50,000 to 75,000 words. To the left of where I am sitting there are boxes of research I have done on several topics of great interest to me. I tend to research, and box things, and think about them for a decade, and not write them. I think it is time to reset my head for what an expected output of my time could be.
The Magnet book was also agonizing because I was assigned a series of pregnant editors who each went on maternity leave whilst I was in the process, then a gap, then a new one, with new ideas, and considerations. I disliked the process so much, fact-checking was done via Wikipedia and errors sent to me were wrong in Wikipedia, not in the scientific journal articles I had pulled the data from, disagreements on the use of pronouns for non-human beings, disagreements on translations I did myself — though I think this was missing by the commenters, even though it was noted. Suffice to say, every book I considered writing after that one, I simply refused. I had no interest in selling a proposal, and no focus to simply write the books and be done with them. It turned me off dealing with publishing full stop. I have published chapters in collections since then, but little else. I wasn’t proud of the output, and I don’t want to repeat that. A good lesson, and hopefully one that dies in obscurity (so obviously I should not be writing about it here!)
Recently in reading the Paris Review interview with Elliot Weinberger, I paraphrase, he said something along the lines that when he is done with a book it is done. He is not asking for feedback or editing, he has written the book he wants to publish. Et voila! I admire this, not only because of his writing, but also the knowledge that the book is the book. This would require me to apply more time and focus to my work. Which, in return, requires more solitude. But I am not averse to this.
At the end of it all, I find that I really enjoy writing my thesis (British PhD speak, US is dissertation). And I do in fact still like the topic, though of course it is narrower than where I began, and there is a lot more I would have liked to have done. If I’d thought about it earlier, and how it is I could have done it.
And now, I must go finish this week’s 17,000 words. Friday is editing day, though I am about 2,000 words short, so I shall do both. I look forward to the end of this process, and am also thankful for it, as I suspect I may do more writing when I am done, on topics meant to be more public, and that are really rather fascinating. Eventually, you can be the judge. of that.

